When Did Musãƒâ©e National Des Beauxarts Du Quãƒâ©bec Open
The Musée national des beaux-arts du Québec in Quebec City houses the world's near all-encompassing drove of Québécois art, ranging from the paintings of such 19th-century masters as James Wilson Morrice and Cornelius Krieghoff to contemporary artists such as the Quebec Metropolis-based collective BGL. It also holds collections of early, modernistic and contemporary Canadian art, including an extensive collection of Inuit art. Since it opened in 1933, the Musée has designed, organized and hosted hundreds of exhibitions. Expanded in 1991 and again in 2016, the four-pavilion complex includes numerous exhibition galleries and workshops, an auditorium and a sculpture garden. The Musée also plays a role in the community through its library, educational service, and photographic documentation centre.
The Musée national des beaux-arts du Québec in Quebec City houses the world's nigh all-encompassing collection of Québécois fine art, ranging from the paintings of such 19th-century masters as James Wilson Morrice and Cornelius Krieghoff to contemporary artists such as the Quebec City-based collective BGL. It besides holds collections of early, modern and contemporary Canadian art, including an extensive collection of Inuit art. Since it opened in 1933, the Musée has designed, organized and hosted hundreds of exhibitions. Expanded in 1991 and over again in 2016, the four-pavilion complex includes numerous exhibition galleries and workshops, an auditorium and a sculpture garden. The Musée also plays a function in the community through its library, educational service, and photographic documentation centre.
Creation and Overview
Though works were first acquired in 1920 and the bill that created the museum was passed in 1922, the Musée officially opened on 5 June 1933 equally the Musée de la province de Québec. The original objective of the Musée was to provide a abode for the provincial archives, the museum of natural sciences and the fine arts museum.
Over the years, it developed its fine arts drove through the acquisition of works that were representative of the evolution of the arts in Quebec. It gradually began concentrating exclusively on art, leaving to other institutions the work of conserving the national archives and the natural history collections. The natural sciences collections were removed in 1962, while the Archives de la province de Québec were moved to Université Laval in 1979.
The museum's proper name was inverse to the Musée du Québec in 1963. By 1983, when the National Museums Human action made the Musée a Crown Corporation, its collection solely comprised works of fine art. In 2002, it became known as the Musée national des beaux-arts du Québec and began offering gratuitous admission to its permanent collection.
Collections
The Musée national des beaux-arts du Québec was amid the kickoff institutions to recognize the talent of the province's artists. Painters and sculptors such as Horatio Walker, Sylvia Daoust, Clarence Gagnon, Alfred Laliberté, Marc-Aurèle de Foy Suzor-Côté, Georges Saint-Pierre, Alfred Pellan, Jean-Paul Riopelle, Jean Paul Lemieux, Françoise Sullivan, Fernand Leduc, Marcelle Ferron and Paul-Émile Borduas accept all been exhibited at the museum, as has architect and designer Julien Hébert.
The Musée national des beaux-arts du Québec houses the world'due south about extensive collection of Québécois art, ranging from the paintings of 19th-century masters like James Wilson Morrice and Cornelius Krieghoff to the work of young artists today, like those belonging to the Québec-Urban center-based commonage BGL, who represented Canada at the 2015 Venice Biennale.
In 2000, the Musée acquired Jean-Paul Riopelle'due south monumental tardily masterpiece Fifty'Hommage à Rosa Luxemburg (1992), a 40-metre-long tribute to his former partner, American painter Joan Mitchell. In 2003, the Musée acquired a series of watercolours by Benjamin Fisher, discovered at Oxford Academy'due south Balliol College, depicting Québécois life in the late-18th century. In 2005, art collector Raymond Brousseau, in conjunction with Hydro-Québec, donated his collection of 2,635 works of Inuit art to the Musée. A new permanent gallery devoted to Inuit art, The Brousseau Collection of Inuit Art – Hydro-Québec Gallery, opened in 2006.
Notable Exhibitions
Some of the more notable exhibitions held past the Musée national des beaux-arts du Québec over the years include the highly successful Tutankhamun Treasures in 1965. Paintings by French Impressionist and Mail-Impressionist Masters from the Soviet Marriage drew 135,000 visitors in six weeks in 1985–86, while Rodin in Québec City was attended by 525,000 people over 103 days in 1998.
To commemorate the 400th anniversary of Quebec City in 2008, the Musée presented a collection of works from the Musée du Louvre in Paris that was attended by about 465,000 people. In 2011, Madeleine P. Pelland donated i,630 works of art and fine art objects past Alfred Pellan to the Musée.
Offset Expansion: 1989–91
A major expansions project to provide the Musée with the facilities of a modern museum took place between 1989 and 1991. It more than doubled the surface area previously available for art exhibitions and enabled the museum to offer visitors a wider variety of services.
An architectural design created by Charles Dorval and Louis Fortin integrated two existing buildings: the Gérard Morisset pavilion, the original museum edifice; and the Charles Baillargé pavilion, formerly the Quebec Urban center jail (some of the jail cells were preserved every bit a record of 19th-century prison conditions). In order to preserve the natural quality of the setting (the Plains of Abraham) and the distinctive grapheme of the ii older buildings, the architects chose the unusual strategy of concealing a section of the new wing under the park's natural landscaping.
This gathering identify is now abode to all of the museum's public services. The new museum complex — comprising the original museum building, the one-time prison and the new fly connecting the 2 — includes 12 exhibition galleries, an auditorium, workshops, storerooms, a eatery and a gift store. A sculpture garden, showcasing 15 gimmicky works by Quebec and international artists, opened in 1993.
Second Expansion: The Pierre Lassonde Pavilion
A second major expansion of the Musée added a fourth pavilion to the museum complex and was opened to the public on 24 June 2016. The expansion provides a glass-enclosed gateway to the museum from the street and doubles the available exhibition space. It was designed by the internationally acclaimed Office for Metropolitan Architecture — headed by honour-winning architect Rem Koolhaas — in collaboration with the Montreal firm Provencher Roy.
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Source: https://www.thecanadianencyclopedia.ca/en/article/musee-du-quebec
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